Jenny Holzer, for thirty years, has created analytical work combining typography and installations. Her recent exhibition at DHC ART pairs text with US government documents of war and digital mediums. Seeing the exhibition twice helped get a better and deeper understanding of what her work is about. Without reading about her series before seeing them, it leaves the viewer lost and confused.
For the first part of the exhibition presented, she did not use her own texts. The "Redaction Paintings" were not eye-catching except for the purple painted canvas' representing wounds and bruises. She could of done more with the data and information she had. The second series was the "Water Board" and "Thorax", both placed in the same room but made with two different mediums. This made me question her use of analog works versus her LED pieces. Why overpower a painting with a brightly flashing LED thorax? Thorax catches the viewer's attention in an instance while Water Board was forgotten in the back. Still today I don't understand the meaning of the Water Board painting.
Following this is "Ribs" which is identical to the Thorax piece but presented vertically rather than horizontally. I do like how she repeated the tints of purple in her works as the idea of human bruises and wounds. Also, briefly speaking, there was the series "Lustmond Tables" which in previous exhibitions people were allowed to touch. Not being able to touch the bones did make the piece more personal and really make the viewer have to move around to understand it. The two last pieces in the other building are "Monument" and "Chicago" which were bigger than the other series but not much different.
All of her LED works, I thought, got really repetitive in terms of colour, shape, and motion. Likewise, her analog pieces lost my interest and lacked a personal touch or connection to the other works. I felt as if she had run out of ideas for her two last LED projects: Chicago and Monument, where she just programmed them to do anything and change paths after an hour or so. In addition, I'm not sure DHC ART had spaces large enough for her LED works which may have affected the way we look at them. Though these series are just a quarter of Holzer's entire exhibition, I recommend to see it no more than once or else you will be prone to getting a heading or nausea.











